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A few words unknown to the reader only add effectiveness and local colour to a narrative, as Mr. I have not scrupled to retain a Celtic turn of speech, and here and there a Celtic word, which I have not explained within brackets-a practice to be abhorred of all good men.
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While I have endeavoured to render the language of the tales simple and free from bookish artifice, I have not felt at liberty to retell the tales in the English way. Among these, I would call attention to the study of the legend of Beth Gellert, the origin of which, I believe, I have settled. On the whole, the industry of the collectors of Celtic folk-lore is to be commended, as may be seen from the survey of it I have prefixed to the Notes and References at the end of the volume.
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The more the reason why they should be collected and put on record while there is yet time.
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The Celtic folk-tales have been collected while the practice of story-telling is still in full vigour, though there are every signs that its term of life is already numbered. The folk-tale in England is in the last stages of exhaustion. This superiority of the Celtic folk-tales is due as much to the conditions under which they have been collected, as to any innate superiority of the folk-imagination. The romantic ones are certainly more romantic, and the comic ones perhaps more comic, though there may be room for a difference of opinion on this latter point. The stories collected in this volume are longer and more detailed than the English ones I brought together last Christmas. I trust I shall be forgiven by Celtic scholars for the changes I have had to make to effect this end. In short, I have tried to put myself into the position of an ollamh or sheenachie familiar with both forms of Gaelic, and anxious to put his stories in the best way to attract English children. They translated I endeavoured to transfer. Where the translators appealed to English folk-lorists and scholars, I am trying to attract English children. In re-telling them I have had no scruple in interpolating now and then a Scotch incident into an Irish variant of the same story, or vice versa. In order that the tales should be characteristically Celtic, I have paid more particular attention to tales that are to be found on both sides of the North Channel. But I have felt myself more at liberty than the translators themselves, who have generally been over-literal, in changing, excising, or modifying the original. For the comic relief of this volume I have therefore had to turn mainly to the Irish peasant of the Pale and what richer source could I draw from?įor the more romantic tales I have depended on the Gaelic, and, as I know about as much of Gaelic as an Irish Nationalist M.P., I have had to depend on translators. But the Celtic peasant who speaks Gaelic takes the pleasure of telling tales somewhat sadly: so far as he has been printed and translated, I found him, to my surprise, conspicuously lacking in humour.
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The success of a fairy book, I am convinced, depends on the due admixture of the comic and the romantic: Grimm and Asbjörnsen knew this secret, and they alone. Having laid down the rule, I immediately proceeded to break it.
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To do this I had to withdraw from the English-speakihg Pale both in Scotland and Ireland, and I laid down the rule to include only tales that have been taken down from Celtic peasants ignorant of English. But one can have too much even of that very good thing, and I have therefore avoided as far as possible the more familiar "formulæ" of folk-tale literature.
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It would have been easy, especially from Kennedy, to have made up a volume entirely filled with "Grimm's Goblins" à la Celtique. In making my selection I have chiefly tried to make the stories characteristic.